Wednesday, October 12, 2011

Six Ways of Looking at Wallace Stevens



1.

a once thin man, carrying
a thing:  a parcel of uncertain
particles, though obviously
not a blackbird’s wing,
his footsteps being
much too slow.


2.


a man in a plain grey suit,
with a somber imagination
& a difficult sense of humor:
a stagnant pond that off & on
again reflects an almost silent tree
in a cold month before the muskrat
sleeps, it sneaks into the poem
her sad reflection smiling a bucky-
toothed grin changing everything,
except for the topmost branch
still trembling from its missing blackbird.


3.

a Connecticut Homer visiting Florida
to smell flowers through a broken nose
finds himself infatuated not with the sound
of a blackbird singing, but with the innuendo
and diminuendo of the foam-cloud surf,
& magically all his well-fed monsters vanish
as so many fizzling stars, smoke-ringed fireworks,
a cigarette disappearing  across a low blue bay.


4.

one man crossing twenty bridges
into one village of twenty men
all of whom hate poetry,
especially poetry about metaphor:
blackbirds, fruit trees, uncertainty.


5.

a miserable liar, who speaks of poetry
as if it were a lion asleep in the sun,
waiting to rip itself apart line by line,
phoneme by phoneme, bit, bit, bit.
a man in a lion costume sneaks into
the poem about blackbirds to scare
them away, only to prove that poetry
is a destructive force, at its best only
knowable in the traces left behind.

6.

a dead man, a handsome ghost
in a white nightshirt pretending
to fly, a blackbird in white feathers
drunk, falling into a green-gold sky
over & over, as if death were a dream,
recurring each night in the purple hour
of 10 o’clock, & life started over again:
a yellow ring in the blue-black—
as if every morning is Spring.

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