Thursday, April 28, 2011

Field Marks: Between Three Seasons

I. Winter


"He knew it must have been a goose or a heron, but he decided that it was a crane. Its neck was tucked under its wingpit and the head was submerged in the river. He peered down at the water's surface and imagined the ancient ornamental beak. The bird's legs were spread out and one wing was uncurled as if it had been attempting to fly through ice." (Colum McCann, This Side of Brightness, 1998)

 
Happy Birthday, J. J. Audubon
a friend fishes
the same spot
each time winter
breaks the ice
enough for
catfish to rise
to meet
the dangling
trickster-curve:

above him,
huge, stately,
beautiful,
the white giant,
un-frozen,
lurks, looking
intodark water,
hungry for sun
in the shadowy
shallows:

let this be the
sign that every-
thing loved well
returns.



II. Spring


"The cardinal grosbeak calls out "what cheer” “what cheer;" " the bluebird says"purity,” “purity,” “purity;" the brown thrasher, or ferruginous thrush, according to Thoreau, calls out to the farmer planting his corn, "drop it,” “drop it,” “cover it up,” “cover it up" The yellow-breasted chat says "who,” “who" and "tea-boy" What the robin says, caroling that simple strain from the top of the tall maple, or the crow with his hardy haw-haw, or the pedestrain meadowlark sounding his piercing and long-drawn note in the spring meadows, the poets ought to be able to tell us. I only know the birds all have a language which is very expressive, and which is easily translatable into the human tongue." (John Burroughs, Birds and Poets, 1877)

from the Dusty Bookshelf's tiny books basket
sometime,
when the
winds come
& the grey,
green rain
settles all
arguments
about time,
listen for
a minute
to the shrill
chorus of
an acre of
county-land:

how many
voices does
it take to come
to terms with
togetherness?

if the poet
is to remain
employed,
let her ear
be strong,
let his eye
forgive itself:

there is nothing
worth writing
that doesn't
conform to
birdsong.



III. Summer



"The Western Blue-bird possesses many of the habits of our common kind. The male is equally tuneful throughout the breeding season. Mounting some projecting branch of an oak or low pine, he delivers his delightful ditty with great energy, extending his wings, and exerting all his powers as it were to amuse his sitting mate, or to allure attention to his short, often-repeated, but thrilling lay.(John James Audubon, Birds of America, 1840)


I know by sight the field-marks
of summer:

         blue coat                
                  brown band
                           mermaid tail

That travels take me to the taller places,
I rejoice:

               to know the peep peep of  hungersong.

Let there be eyes for seeing & a heart to hear;
May the little men,  my charge, find fruitful the search for the lost familiar.

from The Birds of America plates collection






Tuesday, April 26, 2011

Moving Pictures #1

The physics of travel
suggests relationships
often overlooked:

What blurs stays opposed,
what holds clear, in sync,
tallies the miles against loneliness.



Tuesday, April 19, 2011

April 19th

Reading Komunyakaa
in the side yard
on a blanket
in spring time
before the world
as we know it began

where now,
out a kitchen window
three robins,
orange as orioles
shuffle & peck
for seed or worm

as in the next room
three boys play
whatever roles
suit the mood:
hero or villain
depending on
each moment’s
instinctual need

just as that after-
noon’s poem
might have been
“songs for my father”
in which fourteen
sections serve
to illuminate a
relationship I
avoided once &
hope with every-
thing to avoid again
on the flip: that
catastrophic love
some fathers give
their sons

& here,
 this reminds that
there is some
 sadness in, even,
spring: sometimes
 a premature
nostalgia: things
change so quickly
it’s as if they are
already gone,
grown,  gifted
away

like those three
birds, now replaced
by a gray sky,
clouded & lined
with the kind of change
that shakes blooms
& scares the fuse
into retreat

in all of this
there is a constant:
(besides anxiety)
her beside me,
though these
between change
the magnetism
& the magnitude
of opportunity:

after all,
 this is still spring,
these our birds,
our boys, the
best defense
we have against
time & forgetfulness

Soon, I will search
the lost corners
of years for that
blanket
                  I’ve
already earmarked
the book to page 3.

Friday, April 15, 2011

April 15th

Storm, 4 am

wind pounds
& shakes,
the house heaves
& settles.

the lighter things
are pushed around
& the lightest
scatter.

soon a stillness,
ghostly,
will pervade
& caution linger.

the most delicate
instruments, alone,
will remain
trembling.

light will self-
consciously emerge
over parts slightly
 rearranged.

once again, I
am struck by
what there is
beyond desire:

by what persists
to circulate
within a creature
that needs to fear.

Wednesday, April 13, 2011

April 13th

Out on the Limb

There is never a guarantee of flight:
unchecked gravity & weight of fright.
The push, when angry, hurts us all,
to make a child cry, then brace the fall.

Monday, April 11, 2011

April 11th

A Family Affinity

My father's books on birds rest on several shelves,
an inheritance I did not wait to be assigned.
Each year one or another is pulled from its place
to double-check the facts on a familiar friend
or on luckiest days to search for color, spot, & song.
My wife endures our chants & putterings
from window to window to catch the best glimpse.
Tonight, talk of a diet of worms & bugs
sent the biggest brother to the shelf for research.
Out of a grandfather's collection,
a grandson's career as a naturalist is born,
one more beautiful case of collaboration
between the gone & the growing.


Sunday, April 10, 2011

April Poem # Who cares?

The Worker

In our irony deficient
middle-west,
the idle idol rusts,
hammer in hand.




Friday, April 8, 2011

Thursday, April 7, 2011

April Poem # 7

Ten Reasons Not To Quit My Day Job

No night job

Townes Van Zandt

This tiny miracle breathing next to me,
his two brilliant brothers
(and their mother)

Fifty-two miles
& a westerly view

Constant friendship, close at hand

All these songs that won't change the world

Wednesday, April 6, 2011

April Poem # 6

Conceit

In a moment of brilliance,
I compared the gods of
Lombardo's Homer's Iliad
to television addicts
eager to interact
with the dying actors
on that reality stage,
only to find that I was
fifteen years behind
the curve of genius of
Anne Carson's well-strung bow.

Today, a friend asked me
about contemporary painters
to illustrate his theory
of music for the academy's sake.

This is not a fugue,
but time always
seems to contradict
my best ideas.

Tuesday, April 5, 2011

April Poem # 5

Finishing Schuyler

The wheeling seasons turn
summers burn
then fall all fallow
in ripe yellow

["Fragment" James Schuyler Other Flowers: uncollected poems]

But this is survivor's spring
there isn't anything
that winter could repeat
new grass, bare feet

Monday, April 4, 2011

April Poem # 4

And I could have whistled through life like a starling
[Osip Mandelstam, October 1930]

Around here,
robins mostly,
scouting & shouting:
what good can a song
in the background do
when what they want
is only sound of
their own voices?

Sunday, April 3, 2011

April Poem # 3

"Life is storm, let storm"
[Melville, "John Marr"]

Nothing is permanent.
Not weather, nor fear.
But when normal shifts,
a degree here,
an inch there,
it does seem likely
that the center
won't hold.

Let the rain rinse
what the wind didn't steal.

Saturday, April 2, 2011

April Poem #2

Empty highway, 1 a.m.,
ears still ringing
with the slight echo
of a voice lost somewhere
between addiction & resurrection:
There is so little separating
health & sickness,
but the difference means everything.
Thankfully, this quiet road leads home.

Friday, April 1, 2011

April Poem #1

The family of cardinals still
Home in the hedgerow,
The mother robin is already
Fattened with expectation.